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Get Professional Remote Camera Control

URSA Broadcast G2 uses the SDI camera control protocol, so you can remote control it from your switcher. All ATEM switchers with SDI support camera control when used with the URSA Broadcast, so you get an amazing professional broadcast workflow, all using a single SDI program return cable to the camera. If you are starting out, you can simply use the ATEM Software Control which is free of charge! You can then add an ATEM Camera Control Panel for traditional CCU style control in a panel that’s attractive, portable and affordable. You can adjust parameters such as black levels, gain, color balance, shutter speed, focus, iris and more. This leaves your camera operators free to focus on the action!

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Works with Blackmagic URSA Broadcast G2

URSA Broadcast G2 works with all ATEM switchers, so you get full remote control of all cameras from your control room. URSA Broadcast even has a built in color corrector and digital film sensor, so you can color grade live video all in the camera. All control information is sent to the camera via the SDI program return connection, so you can control the camera from any ATEM switcher using the single SDI cable! That means you can remotely control any setting in the camera, or even the lens focus, iris and zoom. Imagine using the built in DaVinci primary color corrector to go well beyond simple CCU controls, so you can open up a new creative world of cinematic looks, all in camera and live!

Control 4 URSA Broadcast Cameras at Once!

When working on live production, it’s important all of the cameras are matched with proper color balance so that you get a consistent look as you cut and transition between the different cameras. The secret is to add an ATEM Camera Control Panel to control URSA Broadcast as it features 4 camera controllers in one panel, so you can control all cameras at once. Plus you can control more than 4 cameras because it's easy and fast to change cameras on each control channel. Each camera controller includes a status LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, so you get a very clear indication of the most important camera parameters.

Scene and Camera Controls

Getting started with the ATEM Camera Control Panel is easy because it’s laid out the same way as other CCU controllers used in the broadcast television industry. That means you can take your knowledge to any broadcasters worldwide! The top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to camera settings such as gain and color temperature is vital when you are working in conditions where the lighting conditions can change during your job such as when you are working outdoors. That’s no problem because the controls in this section include master gain, white balance, shutter speed and more!

White Balance

Quickly get the perfect white balance by triggering the camera’s automatic white balance feature.

Load Scenes

Save and recall scene presets, perfect for when you do regular work with the same conditions each day.

Master Gain

Boost sensitivity of the sensor as conditions become darker or when more depth of field is needed.

Shutter Speed

Set the shutter speed of the camera and a slower shutter speed can also boost brightness in dark conditions.

Color Bars

Select to output color bars for the selected camera. Color bars are very useful when setting up for a new job!

Gain and Pedestal Controls

The center section features independent RGB controls for adjusting the camera color for the white and black parts of the image. Because the Blackmagic URSA Broadcast G2 has a full DaVinci Resolve primary color corrector built in, you have amazing control over the color in the camera. These red, green and blue controls for adjusting blacks and whites mean you can accurately match multiple cameras, which is vital for cutting seamlessly without color shifts. One trick experienced camera control operators use is to only adjust the red and blue channels, so you can add and remove red and blue tint without getting too far away from accurate color!

White Balance

Independent RGB controls for adjusting the white part of the image.

Black Balance

Independent RGB controls for adjusting the black part of the image.

Lens and Iris Controls

The lower section of the panel is where the most used controls are located and features a large easy to read camera number that highlights red when the camera is on air! The main control for operating the cameras is the high quality professional joystick that’s used to precisely adjust the iris when moved up and down, and the master black when the knob is rotated. This is the exact same type of control that's used on camera control units used in broadcast, so you get a true professional user interface that can be the ideal training tool for any high end live broadcast truck or studio. There's also a button to lock the CCU and indicators for network and errors.

Iris Control

Joystick for adjusting iris and master black. Move up and down to change iris and rotate for black.

Coarse Control

To stop the iris from becoming too sensitive with different lens types, you can reduce the adjustment range.

Lock Controls

To ensure you don't accidentally bump the camera adjustment, you can lock the iris and master black control.

Master Black

This indicator provides feedback on the amount of master black adjustment applied to the remote camera.

Panel Active

If you have set up a perfect color match between all of your cameras, then you can lock all panel adjustments.

Status Lights

Used on larger switcher models, these lights indicate status of network and SMPTE fiber camera connections.

Preview

Used for switching the camera to the aux output of the switcher, so you don’t have to move the joystick.

Camera Number

Big camera number display shows you what camera is assigned to each channel and turns red when on air!

Call Button

Flashes tally light on the camera to get the attention of the camera operator that you need to talk to them.

Expand Your Production Workflow

Adding the ATEM Camera Control Panel to your URSA Broadcast is easy as all the network settings have been assigned for you, so you can simply connect an Ethernet cable direct from the control panel to an ATEM switcher’s Ethernet connection. Because Ethernet is a network, you can also use the ATEM Camera Control Panel with ATEM Advanced Panels for an incredibly advanced live production setup that works the same as the biggest switchers in the world. The ATEM panels feature loop through Ethernet connections so you just loop through the panels. Plus, if you upgrade to larger ATEM switchers later, you can keep using the panels, or even move the panels between switchers for different jobs.

Fiber Converters

Camera Control

Fiber Converters

Accessories

Tech Specs

URSA Broadcast

Blackmagic URSA Broadcast G2

Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.

$4,195

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Blackmagic URSA Viewfinder

High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.

$1,525

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Blackmagic URSA Studio Viewfinder G2

Turn URSA Broadcast into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.

$1,515

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Blackmagic Focus Demand

Get accurate focus control with Blackmagic URSA Broadcast G2. Eliminates the need to reach for the lens because you can control the lens direct from the tripod handles.

$245

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Blackmagic Zoom Demand

Get zoom control of B4 lenses with power zoom when using the Blackmagic URSA Broadcast G2. Now you can control lens zoom from the tripod handles! Even includes buttons for triggering camera functions.

$245

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New

Blackmagic URSA Broadcast ENG Kit

Turn URSA Broadcast into the ultimate run and gun ENG camera! Includes top handle with 3/8″ mounting points, protective body armor, mic holder, light mount and side panel cradle for accessories.

$245

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Blackmagic URSA Mini Pro EF Mount

The Blackmagic URSA Mini Pro EF Mount kit is available if you ever need a spare EF lens mount in addition to the original EF that comes with your URSA Mini Pro.

$175

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Blackmagic URSA Mini Pro PL Mount

Optional PL lens mount which features contact pins for compatibility with Cooke’s i/Technology protocol allowing lens information to be saved as metadata and used in software like DaVinci Resolve.

$245

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Blackmagic URSA Mini Pro F Mount

The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Now you can pair digital film quality with classic Nikon AF‑S G and AF‑D series lenses.

$375

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Blackmagic URSA Mini Shoulder Kit

Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle.

$395

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Blackmagic URSA Mini Mic Mount

Add a shock and vibration isolated professional microphone mount to your URSA Mini or URSA Mini Pro camera!

$169

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Blackmagic URSA VLock Battery Plate

VLock compatible battery plate for attaching third party batteries to URSA cameras.

$95

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Blackmagic URSA Gold Battery Plate

Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.

$95

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Blackmagic URSA Mini Pro Shim Kit

Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.

$79

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Blackmagic 3G SDI Shield for Arduino

Now you can control Blackmagic Design cameras by inserting control commands into the SDI feed from an Arduino!

$109

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Blackmagic Camera Fiber Converter

Connect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away!

$3,245

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Blackmagic Studio Fiber Converter

Convert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.

$3,325

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Blackmagic Studio Fiber Rack Kit

Rack mount up to 2 Blackmagic Studio Fiber Converters side by side with this lightweight kit that’s perfect for road cases or equipment racks.

$185

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ATEM Camera Control Panel

Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

$3,079

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ATEM Streaming Bridge

New video converter that lets you receive a H.264 stream from any URSA Broadcast G2 and convert it back to SDI and HDMI video so you can send it to remote locations around your local Ethernet network, or via the internet globally!

$259

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Blackmagic Universal Rack Shelf

Build a custom 1RU solution with Blackmagic Universal Rack Shelf. Mix and match 1/3 and 1/2 rack width Studio Converter, ATEM, HyperDeck Studio, Web Presenter, Teranex Mini and UltraStudio products.

$115

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