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Blackmagic URSA Mini Pro
12K OLPF
Blackmagic URSA Mini Pro
12K
Blackmagic URSA Mini Pro
4.6K G2
Blackmagic URSA Mini Pro
EF Mount
Blackmagic URSA Mini Pro
F Mount
Blackmagic URSA Mini Pro
PL Mount
Blackmagic URSA Mini Pro
B4 Mount
Blackmagic URSA
Studio Viewfinder G2
Blackmagic URSA
Viewfinder
Blackmagic URSA Mini
Recorder
Blackmagic Cinema Camera 6K
Blackmagic Pocket Cinema Camera 6K Pro
Blackmagic Pocket Cinema Camera 6K G2
Blackmagic Pocket Cinema Camera Pro EVF
Blackmagic Pocket Cinema Camera 4K
Blackmagic Studio Camera 6K Pro
Blackmagic Studio Camera 4K Pro G2
Blackmagic Studio Camera 4K Plus G2
Blackmagic Studio Converter
Blackmagic Micro Studio Camera 4K G2
Blackmagic URSA Broadcast G2
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
ATEM Camera Control Panel
URSA Mini Pro 12K OLPF is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
R165,550
27.03mm x 14.25mm (Super35)
PL mount included. Interchangeable with optional EF and F lens mounts.
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
14 Stops
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K anamorphic)
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
12K 17:9 full sensor up to 60 fps
12K 2.4:1 up to 75 fps
8K DCI full sensor up to 120 fps
4K DCI full sensor up to 120 fps
8K 2.4:1 and 4K 2.4:1 up to 160 fps
6K Super 16 up to 120 fps
4K Super 16 up to 240 fps
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
4 inch
LCD capacitive touchscreen.
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1 x 12G-SDI
1 x 12G-SDI, 1 x 3G-SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
12K Full Sensor - 12,288 x 6480
at 24 frames per second.
Blackmagic RAW 5:1 - 578 MB/s
Blackmagic RAW 8:1 - 361 MB/s
Blackmagic RAW 12:1 - 241 MB/s
Blackmagic RAW 18:1 - 160 MB/s
Blackmagic RAW Q0 - 289 to 1,156 MB/s
Blackmagic RAW Q1 - 241 to 963 MB/s
Blackmagic RAW Q3 - 145 to 722 MB/s
Blackmagic RAW Q5 - 97 to 413 MB/s
8K Full Sensor - 8192 x 4320
at 24 frames per second.
Blackmagic RAW 5:1 - 257 MB/s
Blackmagic RAW 8:1 - 161 MB/s
Blackmagic RAW 12:1 - 107 MB/s
Blackmagic RAW 18:1 - 71 MB/s
Blackmagic RAW Q0 - 257 to 642 MB/s
Blackmagic RAW Q1 - 214 to 428 MB/s
Blackmagic RAW Q3 - 107 to 321 MB/s
Blackmagic RAW Q5 - 81 to 257 MB/s
6K Super 16 - 6144 x 3240
at 24 frames per second.
Blackmagic RAW 5:1 - 146 MB/s
Blackmagic RAW 8:1 - 91 MB/s
Blackmagic RAW 12:1 - 61 MB/s
Blackmagic RAW 18:1 - 40 MB/s
Blackmagic RAW Q0 - 73 to 291 MB/s
Blackmagic RAW Q1 - 61 to 242 MB/s
Blackmagic RAW Q3 - 37 to 182 MB/s
Blackmagic RAW Q5 - 25 to 104 MB/s
4K Full Sensor - 4096 x 2160
at 24 frames per second.
Blackmagic RAW 5:1 - 161 MB/s
Blackmagic RAW 8:1 - 107 MB/s
Blackmagic RAW 12:1 - 80 MB/s
Blackmagic RAW 18:1 - 53 MB/s
Blackmagic RAW Q0 - 161 to 268 MB/s
Blackmagic RAW Q1 - 107 to 214 MB/s
Blackmagic RAW Q3 - 81 to 179 MB/s
Blackmagic RAW Q5 - 54 to 161 MB/s
4K Super 16 - 4096 x 2160
at 240 frames per second.
Blackmagic RAW 5:1 - 648 MB/s
Blackmagic RAW 8:1 - 405 MB/s
Blackmagic RAW 12:1 - 271 MB/s
Blackmagic RAW 18:1 - 180 MB/s
Blackmagic RAW Q0 - 648 to 1,618 MB/s
Blackmagic RAW Q1 - 540 to 1,079 MB/s
Blackmagic RAW Q3 - 271 to 810 MB/s
Blackmagic RAW Q5 - 203 to 648 MB/s
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
Actual storage rates are dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF and F Mounts
URSA Mini Pro Shim Kit
URSA Mini Shoulder Kit including top handle and extender arm
URSA Viewfinder
URSA Studio Viewfinder
URSA Mini Recorder
URSA VLock Battery Plate
URSA Gold Battery Plate
URSA Mini Mic Mount
URSA Mini Top Handle
URSA Handgrip
Blackmagic Camera Fiber Converter
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic URSA Mini Pro 12K OLPF Body
Turret dust cap
PL lens mount
Power supply
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!
R165,550
27.03mm x 14.25mm (Super35)
PL mount included. Interchangeable with optional EF and F lens mounts.
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
14 Stops
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K anamorphic)
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
12K 17:9 full sensor up to 60 fps
12K 2.4:1 up to 75 fps
8K DCI full sensor up to 120 fps
4K DCI full sensor up to 120 fps
8K 2.4:1 and 4K 2.4:1 up to 160 fps
6K Super 16 up to 120 fps
4K Super 16 up to 240 fps
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
4 inch
LCD capacitive touchscreen.
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1 x 12G-SDI
1 x 12G-SDI, 1 x 3G-SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
12K Full Sensor - 12,288 x 6480
at 24 frames per second.
Blackmagic RAW 5:1 - 578 MB/s
Blackmagic RAW 8:1 - 361 MB/s
Blackmagic RAW 12:1 - 241 MB/s
Blackmagic RAW 18:1 - 160 MB/s
Blackmagic RAW Q0 - 289 to 1,156 MB/s
Blackmagic RAW Q1 - 241 to 963 MB/s
Blackmagic RAW Q3 - 145 to 722 MB/s
Blackmagic RAW Q5 - 97 to 413 MB/s
8K Full Sensor - 8192 x 4320
at 24 frames per second.
Blackmagic RAW 5:1 - 257 MB/s
Blackmagic RAW 8:1 - 161 MB/s
Blackmagic RAW 12:1 - 107 MB/s
Blackmagic RAW 18:1 - 71 MB/s
Blackmagic RAW Q0 - 257 to 642 MB/s
Blackmagic RAW Q1 - 214 to 428 MB/s
Blackmagic RAW Q3 - 107 to 321 MB/s
Blackmagic RAW Q5 - 81 to 257 MB/s
6K Super 16 - 6144 x 3240
at 24 frames per second.
Blackmagic RAW 5:1 - 146 MB/s
Blackmagic RAW 8:1 - 91 MB/s
Blackmagic RAW 12:1 - 61 MB/s
Blackmagic RAW 18:1 - 40 MB/s
Blackmagic RAW Q0 - 73 to 291 MB/s
Blackmagic RAW Q1 - 61 to 242 MB/s
Blackmagic RAW Q3 - 37 to 182 MB/s
Blackmagic RAW Q5 - 25 to 104 MB/s
4K Full Sensor - 4096 x 2160
at 24 frames per second.
Blackmagic RAW 5:1 - 161 MB/s
Blackmagic RAW 8:1 - 107 MB/s
Blackmagic RAW 12:1 - 80 MB/s
Blackmagic RAW 18:1 - 53 MB/s
Blackmagic RAW Q0 - 161 to 268 MB/s
Blackmagic RAW Q1 - 107 to 214 MB/s
Blackmagic RAW Q3 - 81 to 179 MB/s
Blackmagic RAW Q5 - 54 to 161 MB/s
4K Super 16 - 4096 x 2160
at 240 frames per second.
Blackmagic RAW 5:1 - 648 MB/s
Blackmagic RAW 8:1 - 405 MB/s
Blackmagic RAW 12:1 - 271 MB/s
Blackmagic RAW 18:1 - 180 MB/s
Blackmagic RAW Q0 - 648 to 1,618 MB/s
Blackmagic RAW Q1 - 540 to 1,079 MB/s
Blackmagic RAW Q3 - 271 to 810 MB/s
Blackmagic RAW Q5 - 203 to 648 MB/s
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
Actual storage rates are dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF and F Mounts
URSA Mini Pro Shim Kit
URSA Mini Shoulder Kit including top handle and extender arm
URSA Viewfinder
URSA Studio Viewfinder
URSA Mini Recorder
URSA VLock Battery Plate
URSA Gold Battery Plate
URSA Mini Mic Mount
URSA Mini Top Handle
URSA Handgrip
Blackmagic Camera Fiber Converter
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic URSA Mini Pro 12K Body
Turret dust cap
PL lens mount
Power supply
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C expansion port for recording directly to external disks. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!
R155,400
25.34mm x 14.25mm (Super35)
EF mount included. Interchangeable with optional PL, B4 and F lens mounts.
Electronic control via EF mount pins or 12pin broadcast connector for compatible lenses
15 Stops.
4608 x 2592, 4608 x 1920 (4.6K 2.40:1)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K DCI)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
2048 x 1080 (2K DCI)
1920 x 1080
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Blackmagic RAW 8:1
4.6K Full - Up to 120 fps
UHD Windowed - Up to 150 fps
HD Windowed - Up to 300 fps
ProRes 422 HQ
4.6K Full - Up to 80 fps
UHD Windowed - Up to 120 fps
HD Windowed - Up to 240 fps
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
4 inch
LCD capacitive touchscreen.
Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1 x SDI
1 x SDI, 1 x SDI Monitoring.
1.5G, 3G, 6G, 12G.
2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Tri-Sync/Black Burst/Timecode.
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
USB Type-C 3.1 Gen 1 for external drive recording and software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
Apple ProRes XQ QuickTime,
Apple ProRes 444 QuickTime,
Apple ProRes 422 HQ QuickTime,
Apple ProRes 422 QuickTime,
Apple ProRes 422 HQ QuickTime,
Apple ProRes 422 LT QuickTime,
Apple ProRes 422 Proxy QuickTime.
Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.
DaVinci YRGB.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media.
Storage rates based on 30 frames per second.
4608 x 2592
Blackmagic RAW 3:1 - 183 MB/s
Blackmagic RAW 5:1 - 110 MB/s
Blackmagic RAW 8:1 - 68 MB/s
Blackmagic RAW 12:1 - 46 MB/s
Blackmagic RAW Q0 - 110 to 274 MB/s *
Blackmagic RAW Q5 - 27 to 78 MB/s **
Apple ProRes XQ - 360 MB/s
Apple ProRes 444 - 238 MB/s
Apple ProRes HQ - 158 MB/s
Apple ProRes 422 - 106 MB/s
Apple ProRes LT - 73.5 MB/s
Apple ProRes Proxy - 32.3 MB/s
3840 x 2160
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 76 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 76 to 191 MB/s *
Blackmagic RAW Q5 - 19 to 55 MB/s **
Apple ProRes XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 12 MB/s
Blackmagic RAW 12:1 - 8 MB/s
Blackmagic RAW Q0 - 20 to 49 MB/s *
Blackmagic RAW Q5 - 5 to 14 MB/s **
Apple ProRes XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Blackmagic RAW Q0, Q5, 3:1, 5:1, 8:1 and 12:1 at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range.
ProRes at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range.
* Constant Quality setting Q0 storage rates quoted are indicative only, based on a 2:1 - 5:1 compression range.
** Constant Quality setting Q5 storage rates quoted are indicative only, based on a 7:1 - 20:1 compression range.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply. 12 pin Molex connector for rear battery plate.
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
URSA Mini Pro PL, EF, B4 and F Mounts
URSA Mini Pro Shim Kit
URSA Mini Shoulder Kit including top handle and extender arm
URSA Viewfinder
URSA Studio Viewfinder
URSA Mini SSD Recorder
URSA VLock Battery Plate
URSA Gold Battery Plate
URSA Mini Mic Mount
URSA Mini Top Handle
URSA Handgrip
Blackmagic Camera Fiber Converter
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic URSA Mini Pro 4.6K G2 body
Turret dust cap
EF lens mount
Power supply
Welcome wallet with QR code for software download
DaVinci Resolve Studio with activation key
1 Year Limited Manufacturer’s Warranty.
The Blackmagic URSA Mini Pro EF Mount lets you use high quality Canon compatible photo lenses with your URSA Mini Pro camera.
R4,200
Blackmagic URSA Mini Pro EF Mount
Moulded Mount Case
Shim Set
Baffle Tool
Spare Mounting Screws
Printed Instructions
1 Year Limited Manufacturer’s Warranty.
The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Now you can pair digital film quality with classic Nikon AF-S G and AF-D series lenses.
R8,950
Blackmagic URSA Mini Pro F Mount
F Mount Turret Dust Cap
Moulded Mount Case
Shim Set
Spare Mounting Screws
Printed Instructions
1 Year Limited Manufacturer’s Warranty.
The Blackmagic URSA Mini Pro PL Mount lets you use the world’s highest quality professional cinema lenses with your URSA Min Pro camera. The PL lens mount features contact pins for compatibility with Cooke’s i/Technology protocol so information such as lens make and model, serial number, iris setting, focus distance and zoom position can be saved as metadata and used in software like DaVinci Resolve. In addition, you can also power and control broadcast style cine-servo zoom lenses using the camera’s 12-pin Hirose connector.
R5,850
Blackmagic URSA Mini Pro PL Mount
Moulded Mount Case
Shim Set
PL Baffle
Baffle Tool
Spare Mounting Screws
Printed Instructions
1 Year Limited Manufacturer’s Warranty.
Turn your URSA Mini Pro into an incredibly compact broadcast camera that you can use with your existing high definition B4 broadcast lenses! URSA Mini Pro features a standard 12-pin Hirose lens control connection that’s compatible with both B4 and PL lenses. You can remotely control record start/stop, iris and motorized zoom lenses!
R9,200
2048 x 1152
10.56mm x 5.94mm
1.1x
B4 Bayonet style with locking ring
Yes
Blackmagic URSA Mini Pro B4 Mount
Moulded Mount Case
Turret Dust Cap
Lens Rear Protective Cover
Shim Set
Spare Mounting Screws
Printed Instructions
1 Year Limited Manufacturer’s Warranty.
When you’re working live in the studio or out at an event in a large venue such as a stadium, the URSA Studio Viewfinder G2 gives you everything you need to comfortably operate your URSA Mini in live production! The bright 7” screen has a detachable sunshade and includes large handles and an articulated pivot mount that let you position and move the viewfinder independent of the camera! The large rotary control dials and customizable function buttons let you make on the fly adjustments without having to take your eyes off the action! Set up is quick and easy using the included V-Lock plate and it connects directly to the SDI monitor and power output on your URSA Mini, so you don’t need additional cables or power supplies.
R39,300
1 x HD/Ultra HD 3G-SDI via BNC.
1 x 4 pin XLR 12V.
7" 1920 x 1200 resolution.
7" high brightness TFT LCD
2000 nits
1 x USB type C connector for initial setup and software updates via Blackmagic Camera Setup software.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080i50, 1080i59.94, 1080i60
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M 2084.
4:2:2 YUV.
10-bit.
REC 601, REC 709.
SDI switches between 1.5 Gb/s HD and 3.0 Gb/s 60P HD.
Dial, knobs and customizable function buttons for settings, short cut features and navigating menus.
Built in grab handles for positioning the monitor independently from the camera.
Variable tension pivot points for articulated arm and grab handles with forward, backward, up, down, pan and tilt adjustments.
Quick release V-lock mounting bracket for attaching viewfinder to URSA Mini handle.
Large LED tally light with customizable perspex camera numbers.
Detects camera information embedded in the SDI signal including status information, frame guides, focus peaking, tally, and more.
On screen meters and status information including Camera ID, resolution, frames per second, shutter speed, gain, white balance, camera battery level, and more.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
12V power input via 4 pin XLR connected via URSA Mini 12v power output.
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non-condensing
Blackmagic URSA Studio Viewfinder G2
1 Year Limited Manufacturer’s Warranty.
The Blackmagic URSA Viewfinder is the perfect accessory to make outdoors and handheld shooting with your URSA or URSA Mini digital film camera easy. You get an extremely high quality viewfinder with 1080HD resolution display, true precision glass optics, built in tally light and built in menus, overlays and even a digital focus chart!
R39,550
1 x 3G-SDI BNC.
1 x 4 pin XLR 12V.
USB 2.0 Mini-B port for software updates.
Full 1920 x 1080.
Up to 60fps
OLED
6.22 Million Pixels
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M 2084.
4 Element diopter.
-4 to +3
Buttons for settings, short cut features and navigating menus.
Built in overlay display processor and top mounted buttons.
Can be tilted vertically and extended for left or right eye use.
LED tally light.
Camera mount with adjustment.
Detects camera information embedded in the SDI signal from URSA, URSA Mini and Blackmagic 3G-SDI Shield for Arduino.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
12V power input via 4 pin XLR connected via 12v power output.
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non-condensing
Blackmagic URSA Viewfinder
3/8 inch viewfinder mounting thumb screw for URSA
Blackmagic URSA Mini Shoulder kit is required for mounting URSA Viewfinder on URSA Mini or URSA Mini Pro.
1 Year Limited Manufacturer’s Warranty.
Blackmagic URSA Mini Recorder lets you record Blackmagic RAW files onto 2.5 inch NVMe based 7mm U.2 SSD’s or standard 2.5 inch SSD Media with your URSA Mini Pro 12K! That means you can use commonly available and inexpensive high capacity solid state media! The NVMe based SSD media can record full resolution 12K, 8K and 4K 12‑bit RAW files plus it comes in much larger sizes so you can record longer without having to change disks!
R11,050
1 x USB Type-C 3.1 Gen 2 with locking screw for bidirectional data link with URSA Mini Pro 12K and software updates.
1 x 2.5 inch SSD for 4K, 8K and 12K recording.
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
12-pin Molex connector with passthrough to battery plate.
FCC, CE and KCC.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic URSA Mini Recorder
URSA Mini SSD Recorder Mount Plate with mounting screws
USB Type-C SuperSpeed+ Cable with locking screw connectors
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Cinema Camera 6K is a next generation, handheld 6K digital film camera with 6048 x 4032 full frame high resolution HDR sensor, dual native ISO, L‑Mount, CFexpress recording and direct recording to USB-C disks! Blackmagic Cinema Camera 6K features an OLPF for better detail handling, records stunning 12-bit Blackmagic RAW for cinematic images as well as real time H.264 proxies!
R67,300
36mm x 24mm (Full Frame)
Active L-Mount.
Iris and focus on supported lenses.
13 Stops.
400 and 3200
6048 x 4032 (Open Gate 3:2) up to 36 fps
4832 x 4032 (Anamorphic 6:5) up to 36 fps
6048 x 3200 (6K DCI 17:9) up to 48 fps
6048 x 2520 (6K 2.4:1) up to 60 fps
4096 x 3072 (Super 35 4:3) up to 50 fps
4096 x 2160 (4K DCI 17:9) up to 60 fps
2112 x 1184 (Super 16 16:9) up to 100 fps
1920 x 1080 (1080 HD 16:9) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
1500 nits
LCD capacitive touchscreen.
Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
None
1 x HDMI up to 1080p60
2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.
All audio inputs can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
1 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
1 x CFexpress Type B
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.
Storage rates based on 30 frames per second.
6048 x 4032 (6K Open Gate 3:2)
Blackmagic RAW 3:1 - 370 MB/s
Blackmagic RAW 5:1 - 223 MB/s
Blackmagic RAW 8:1 - 140 MB/s
Blackmagic RAW 12:1 - 94 MB/s
Blackmagic RAW Q0 - 278 to 555 MB/s
Blackmagic RAW Q1 - 186 to 444 MB/s
Blackmagic RAW Q3 - 124 to 318 MB/s
Blackmagic RAW Q5 - 75 to 186 MB/s
4832 x 4032 (Anamorphic 6:5)
Blackmagic RAW 3:1 - 297 MB/s
Blackmagic RAW 5:1 - 179 MB/s
Blackmagic RAW 8:1 - 112 MB/s
Blackmagic RAW 12:1 - 75 MB/s
Blackmagic RAW Q0 - 223 to 445 MB/s
Blackmagic RAW Q1 - 149 to 356 MB/s
Blackmagic RAW Q3 - 100 to 255 MB/s
Blackmagic RAW Q5 - 60 to 149 MB/s
6048 x 3200 (6K DCI 17:9)
Blackmagic RAW 3:1 - 295 MB/s
Blackmagic RAW 5:1 - 177 MB/s
Blackmagic RAW 8:1 - 111 MB/s
Blackmagic RAW 12:1 - 75 MB/s
Blackmagic RAW Q0 - 221 to 441 MB/s
Blackmagic RAW Q1 - 148 to 353 MB/s
Blackmagic RAW Q3 - 99 to 253 MB/s
Blackmagic RAW Q5 - 60 to 148 MB/s
6048 x 2520 (6K 2.4:1)
Blackmagic RAW 3:1 - 233 MB/s
Blackmagic RAW 5:1 - 140 MB/s
Blackmagic RAW 8:1 - 88 MB/s
Blackmagic RAW 12:1 - 59 MB/s
Blackmagic RAW Q0 - 175 to 348 MB/s
Blackmagic RAW Q1 - 117 to 279 MB/s
Blackmagic RAW Q3 - 78 to 199 MB/s
Blackmagic RAW Q5 - 47 to 117 MB/s
4096 x 3072 (Super 35 4:3)
Blackmagic RAW 3:1 - 192 MB/s
Blackmagic RAW 5:1 - 116 MB/s
Blackmagic RAW 8:1 - 73 MB/s
Blackmagic RAW 12:1 - 49 MB/s
Blackmagic RAW Q0 - 145 to 288 MB/s
Blackmagic RAW Q1 - 97 to 231 MB/s
Blackmagic RAW Q3 - 65 to 165 MB/s
Blackmagic RAW Q5 - 39 to 97 MB/s
4096 x 2160 (4K DCI 17:9)
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 52 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 69 to 163 MB/s
Blackmagic RAW Q3 - 46 to 117 MB/s
Blackmagic RAW Q5 - 28 to 69 MB/s
2112 x 1184 (Super 16 16:9)
Blackmagic RAW 3:1 - 40 MB/s
Blackmagic RAW 5:1 - 24 MB/s
Blackmagic RAW 8:1 - 16 MB/s
Blackmagic RAW 12:1 - 11 MB/s
Blackmagic RAW Q0 - 30 to 59 MB/s
Blackmagic RAW Q1 - 21 to 48 MB/s
Blackmagic RAW Q3 - 14 to 34 MB/s
Blackmagic RAW Q5 - 9 to 21 MB/s
1920 x 1080
Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 13 MB/s
Blackmagic RAW 12:1 - 9 MB/s
Blackmagic RAW Q0 - 25 to 49 MB/s
Blackmagic RAW Q1 - 17 to 40 MB/s
Blackmagic RAW Q3 - 12 to 29 MB/s
Blackmagic RAW Q5 - 8 to 17 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply.
1 x 2‑pin locking connector.
NP-F570
Approximately 60 minutes
(recording 6K RAW at 24 fps to CFexpress with screen brightness at 50%)
12V-20V.
Blackmagic Pocket Cinema Camera Pro EVF
Blackmagic Pocket Camera Battery Pro Grip
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Cinema Camera 6K
Lens turret dust cap
Camera strap
30W power supply with locking connector and international adapters
NP-F570 battery
NP-F series battery USB charger
Welcome booklet
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!
R65,750
23.10mm x 12.99mm (Super 35)
Active EF mount.
Iris, focus and zoom on supported lenses.
13 Stops.
400 and 3200
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5744 x 3024 (5.7K 17:9) up to 60 fps
4096 x 2160 (4K DCI) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
2880 x 1512 (2.8K 17:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.
Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
1500nits
LCD capacitive touchscreen.
Automatically populated lens data from electronic EF lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 2 x ND filter button, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
None
1 x HDMI up to 1080p60
2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.
All audio inputs can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
DaVinci YRGB.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2880 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and ProRes.
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5744 x 3024 (5.7K 17:9)
Blackmagic RAW 3:1 - 264 MB/s
Blackmagic RAW 5:1 - 159 MB/s
Blackmagic RAW 8:1 - 100 MB/s
Blackmagic RAW 12:1 - 67 MB/s
Blackmagic RAW Q0 - 198 to 396 MB/s
Blackmagic RAW Q1 - 133 to 317 MB/s
Blackmagic RAW Q3 - 89 to 227 MB/s
Blackmagic RAW Q5 - 54 to 133 MB/s
4096 x 2160 (4K DCI)
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 51 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 68 to 163 MB/s
Blackmagic RAW Q3 - 46 to 116 MB/s
Blackmagic RAW Q5 - 28 to 68 MB/s
Apple ProRes 422 HQ - 117.88 MB/s
Apple ProRes 422 - 78.63 MB/s
Apple ProRes 422 LT - 54.63 MB/s
Apple ProRes Proxy - 24.25 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
2880 x 1512 (2.8K 17:9)
Blackmagic RAW 3:1 - 67 MB/s
Blackmagic RAW 5:1 - 41 MB/s
Blackmagic RAW 8:1 - 26 MB/s
Blackmagic RAW 12:1 - 17 MB/s
Blackmagic RAW Q0 - 51 to 101 MB/s
Blackmagic RAW Q1 - 34 to 81 MB/s
Blackmagic RAW Q3 - 23 to 58 MB/s
Blackmagic RAW Q5 - 14 to 34 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply.
1 x 2‑pin locking connector.
NP-F570
Approximately 60 minutes
(recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)
12V-20V.
Blackmagic Pocket Cinema Camera Pro EVF
Blackmagic Pocket Camera Battery Pro Grip
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera 6K Pro
Lens turret dust cap
Camera strap
30W power supply with locking connector and international adapters
NP-F570 battery
NP-F series battery USB charger
Welcome booklet
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Pocket Cinema Camera 6K G2 is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB-C disks! This powerful model adds an adjustable touchscreen, and a larger battery for longer run time. You can even add an optional OLED viewfinder!
R51,750
23.10mm x 12.99mm (Super 35)
Active EF mount.
Iris, focus and zoom on supported lenses.
13 Stops.
400 and 3200
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5744 x 3024 (5.7K 17:9) up to 60 fps
4096 x 2160 (4K DCI) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
2880 x 1512 (2.8K 17:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.
None
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
LCD capacitive touchscreen.
Automatically populated lens data from electronic EF lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
None
1 x HDMI up to 1080p60
2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.
All audio inputs can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
DaVinci YRGB.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2880 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and ProRes.
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5744 x 3024 (5.7K 17:9)
Blackmagic RAW 3:1 - 264 MB/s
Blackmagic RAW 5:1 - 159 MB/s
Blackmagic RAW 8:1 - 100 MB/s
Blackmagic RAW 12:1 - 67 MB/s
Blackmagic RAW Q0 - 198 to 396 MB/s
Blackmagic RAW Q1 - 133 to 317 MB/s
Blackmagic RAW Q3 - 89 to 227 MB/s
Blackmagic RAW Q5 - 54 to 133 MB/s
4096 x 2160 (4K DCI)
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 51 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 68 to 163 MB/s
Blackmagic RAW Q3 - 46 to 116 MB/s
Blackmagic RAW Q5 - 28 to 68 MB/s
Apple ProRes 422 HQ - 117.88 MB/s
Apple ProRes 422 - 78.63 MB/s
Apple ProRes 422 LT - 54.63 MB/s
Apple ProRes Proxy - 24.25 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
2880 x 1512 (2.8K 17:9)
Blackmagic RAW 3:1 - 67 MB/s
Blackmagic RAW 5:1 - 41 MB/s
Blackmagic RAW 8:1 - 26 MB/s
Blackmagic RAW 12:1 - 17 MB/s
Blackmagic RAW Q0 - 51 to 101 MB/s
Blackmagic RAW Q1 - 34 to 81 MB/s
Blackmagic RAW Q3 - 23 to 58 MB/s
Blackmagic RAW Q5 - 14 to 34 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply.
1 x 2‑pin locking connector.
NP-F570
Approximately 60 minutes
(recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)
12V-20V.
Blackmagic Pocket Cinema Camera Pro EVF
Blackmagic Pocket Camera Battery Pro Grip
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera 6K G2
Lens turret dust cap
Camera strap
30W power supply with locking connector and international adapters
NP-F570 battery
NP-F series battery USB charger
Welcome booklet
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Pocket Cinema Camera Pro EVF is the perfect accessory to make outdoors and handheld shooting easy! You get a high quality viewfinder with built in proximity sensor, 4 element glass diopter with an incredible -4 to +4 adjustment, built in status information, and a digital focus chart. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has up to 70 degree swivel, and comes with a set of 4 eyecups including left and right eye.
R12,850
Via Pocket Cinema Camera 6K Pro EVF connector
Integrated M4 x 3.3 (0.7 pitch) locking screw
1280 x 960
3.68 million dots
Micro OLED
Up to 60 fps
24 bit RGB, 16.7 million colors
4 element diopter.
-4 to +4
Auto ON/OFF controlled by inbuilt proximity sensor.
Viewfinder display configuration set via Monitor Page in camera menu settings.
Camera settings, status and meters displayed in top and bottom blank area.
Can be tilted +70° vertically.
4 x interchangeable silicone eye cups including small, medium, left eye and right eye.
Compatible with Pocket Cinema Camera 6K Pro.
Supports camera information from Pocket Cinema Camera 6K Pro.
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera Pro EVF
Small Eye Cup
Medium Eye Cup
Left Eye Cup
Right Eye Cup
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Pocket Cinema Camera 4K features a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS-II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB-C expansion port for recording externally to disks, plus MFT lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.
R25,800
18.96mm x 10mm (Four Thirds)
Active MFT mount.
Iris, focus and zoom on supported lenses.
13 Stops.
400 and 3200
4096 x 2160 (4K DCI) up to 60 fps
4096 x 1720 (4K 2.4:1) up to 75 fps
3840 x 2160 (Ultra HD) up to 60 fps
2880 x 2160 (2.8K anamorphic) up to 80 fps
2688 x 1512 (2.6K 16:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 4K DCI, 120 fps in 2.6K 16:9 and HD windowed.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
LCD capacitive touchscreen.
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
None.
1 x HDMI up to 1080p60
1 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
None.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
1 x CFast card slot, 1 x SD UHS-II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
DaVinci YRGB.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 4096 x 2160, 4096 x 1720, 3840 x 2160, 2880 x 2160, 2688 x 1512 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and ProRes.
Storage rates based on 30 frames per second.
4096 x 2160
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 51 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 68 to 163 MB/s
Blackmagic RAW Q3 - 46 to 116 MB/s
Blackmagic RAW Q5 - 28 to 68 MB/s
Apple ProRes 422 HQ - 117.88 MB/s
Apple ProRes 422 - 78.63 MB/s
Apple ProRes 422 LT - 54.63 MB/s
Apple ProRes Proxy - 24.25 MB/s
4096 x 1720
Blackmagic RAW 3:1 - 108 MB/s
Blackmagic RAW 5:1 - 65 MB/s
Blackmagic RAW 8:1 - 41 MB/s
Blackmagic RAW 12:1 - 28 MB/s
Blackmagic RAW Q0 - 81 to 162 MB/s
Blackmagic RAW Q1 - 55 to 130 MB/s
Blackmagic RAW Q3 - 37 to 93 MB/s
Blackmagic RAW Q5 - 22 to 55 MB/s
3840 x 2160
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
2880 x 2160
Blackmagic RAW 3:1 - 96 MB/s
Blackmagic RAW 5:1 - 58 MB/s
Blackmagic RAW 8:1 - 36 MB/s
Blackmagic RAW 12:1 - 25 MB/s
Blackmagic RAW Q0 - 72 to 143 MB/s
Blackmagic RAW Q1 - 48 to 115 MB/s
Blackmagic RAW Q3 - 32 to 82 MB/s
Blackmagic RAW Q5 - 20 to 48 MB/s
2688 x 1512
Blackmagic RAW 3:1 - 63 MB/s
Blackmagic RAW 5:1 - 38 MB/s
Blackmagic RAW 8:1 - 24 MB/s
Blackmagic RAW 12:1 - 16 MB/s
Blackmagic RAW Q0 - 48 to 94 MB/s
Blackmagic RAW Q1 - 32 to 76 MB/s
Blackmagic RAW Q3 - 22 to 54 MB/s
Blackmagic RAW Q5 - 13 to 32 MB/s
1920 x 1080
Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 13 MB/s
Blackmagic RAW 12:1 - 8.4 MB/s
Blackmagic RAW Q0 - 25 to 49 MB/s
Blackmagic RAW Q1 - 17 to 39 MB/s
Blackmagic RAW Q3 - 11 to 28 MB/s
Blackmagic RAW Q5 - 7 to 17 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V power supply.
1 x 2-pin locking connector.
Canon LP-E6.
Approximately 60 minutes
(recording at 24 fps without any external USB-C device connected)
12V-20V
Blackmagic Pocket Camera Battery Grip.
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera 4K
Lens turret dust cap
30W power supply with locking connector and international adapters
LP‑E6 battery
Welcome wallet with QR code for software download
Welcome card
DaVinci Resolve Studio with activation key
1 Year Limited Manufacturer’s Warranty.
Designed as the ultimate studio camera, Blackmagic Studio Camera 6K Pro adds a larger 6K Super 35 sensor and EF lens mount for true cinematic images in live production. There are built in ND filters that let you reduce the amount of light entering the camera, allowing you to work in a wider range of situations, including in bright sunlight. Plus stream direct to the internet with built in streaming! You also get 12G‑SDI, HDMI and 10G Ethernet which allows all connections on a single cable for a SMPTE style workflow that's much lower cost.
R64,700
23.10mm x 12.99mm (Super 35)
Active EF mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
64.62dB for 2160p
Ultra HD scaled from 5.3K
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
2160p, 1080p, 1080i
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates 5 ‑ 50 fps in 6K, and 5 ‑ 60 fps for all other recording resolutions.
Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters.
Auto focus available using compatible lenses.
7 inch 1920 x 1200
LCD capacitive touchscreen.
2000 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2 x 1/4 inch tripod mount.
1 x 3/8 inch tripod mount.
1
1
1.5G, 3G, 6G, 12G.
1
2 x XLR analog switchable between mic and line levels. Phantom power support.
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 5-pin XLR for talkback headset.
1 x 3.5mm TRRS mini jack for headphones with mic.
2 channels of program audio embedded in 1.5G/3G/6G/12G-SDI.
2 talkback channels on 15 and 16.
Tri-Sync or Black Burst when used with optional Blackmagic Studio Converter.
Remote camera control over SDI, HDMI or Ethernet.
10Gb/s
2 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic Studio Camera 6K Pro supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared mobile internet connection over USB‑C.
ATEM Television Studio HD8 ISO, ATEM Streaming Bridge, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
Television standard sample rate of 48 kHz and 24‑bit.
2 x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
2 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in 6K (6144 x 3456), 6K 2.4:1 (6144 x 2560), 5.3K 16:9 (5376 x 3024), Ultra HD (3840 x 2160) at the selected frame rate.
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 212 MB/s
Blackmagic RAW Q5 - 50 to 125 MB/s
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI, RTMP and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over Ethernet or USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
DaVinci YRGB
1 x front facing for talent,
1 x rear facing for operator.
SDI Channels 15 and 16.
Blackmagic Camera Setup for Mac and Windows.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 60W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
1 x 12V DC 4 pin XLR input for external power supply or battery use.
1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.
32 ‑ 52 W using DC input.
38 ‑ 59 W using Type 4 PoE input.
Blackmagic Focus Demand
Blackmagic Zoom Demand
Blackmagic Studio Converter
ATEM Mini switchers
ATEM SDI switchers
ATEM Constellation switchers
ATEM Television Studio switchers
ATEM Streaming Bridge
Blackmagic MultiDock 10G
HyperDeck Studio HD Plus
HyperDeck Studio 4K Pro
SmartView 4K
Blackmagic Cloud Pod
Blackmagic Cloud Store
Blackmagic Cloud Store Mini 8TB
Ultimatte 12 HD Mini
Ultimatte 12 HD
Ultimatte 12 4K
Blackmagic 3G SDI Shield for Arduino
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Camera 6K Pro
Blackmagic Studio Camera Sun Shade
Tripod Mount compatible with 15mm lightweight rails
Tripod Mount Plate
Turret Dust Cap
External 12V DC power supply with locking connector and international sockets adapters for most countries.
Welcome wallet with QR code for software download
DaVinci Resolve download card
Blackmagic Design sticker
1 Year Limited Manufacturer’s Warranty.
Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G-SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost.
R48,350
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
7 inch 1920 x 1200
LCD capacitive touchscreen.
2000 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2 x 1/4 inch tripod mount.
1 x 3/8 inch tripod mount.
1
1
1.5G, 3G, 6G, 12G.
1
2 x XLR analog switchable between mic and line levels. Phantom power support.
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 5-pin XLR for talkback headset.
1 x 3.5mm TRRS mini jack for headphones with mic.
Tri-Sync or Black Burst when used with optional Blackmagic Studio Converter.
Program SDI Input on camera or on Blackmagic Studio Converter.
2 channels of program audio embedded in 1.5G/3G/6G/12G-SDI. 2 talkback channels on 15 and 16
Remote camera control over SDI, HDMI or Ethernet.
10Gb/s
2 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic Studio Camera 4K Pro G2 supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared mobile internet connection over USB‑C.
ATEM Television Studio HD8 ISO, ATEM Streaming Bridge, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
Television standard sample rate of 48 kHz and 24‑bit.
Television standard sample rate of 48 kHz and 24‑bit.
2 x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
2 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over Ethernet or USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
DaVinci YRGB
1 x front facing for talent,
1 x rear facing for operator.
SDI Channels 15 and 16.
Blackmagic Camera Setup for Mac and Windows.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 60W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
1 x 12V DC 4 pin XLR input for external power supply or battery use.
1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.
26 ‑ 40 W using DC input.
30 ‑ 46 W using PoE input.
Blackmagic Focus Demand
Blackmagic Zoom Demand
Blackmagic Studio Converter
ATEM Mini switchers
ATEM Television Studio Pro switchers
Blackmagic 3G‑SDI Shield for Arduino
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Camera 4K Pro G2
Blackmagic Studio Camera Sun Shade
Tripod Mount compatible with 15mm lightweight rails
Turret Dust Cap
External 12V DC power supply with locking connector and international sockets adapters for most countries.
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Studio Camera 4K Plus G2 has the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control!
R34,900
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
7 inch 1920 x 1200
LCD capacitive touchscreen.
600 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2 x 1/4 inch tripod mount.
1 x 3/8 inch tripod mount.
1
1
1.5G, 3G, 6G, 12G.
1
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 3.5mm TRRS mini jack for headphones with mic.
Program SDI Input on camera.
2 channels of program audio embedded in 1.5G/3G/6G/12G-SDI. 2 talkback channels on 15 and 16
Remote camera control over SDI, HDMI or USB Ethernet.
2 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A.
Integrated stereo microphone.
1 x mono speaker.
None
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.
Television standard sample rate of 48 kHz and 24‑bit.
Television standard sample rate of 48 kHz and 24‑bit.
2 x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
2 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
DaVinci YRGB
1 x front facing for talent,
1 x rear facing for operator.
SDI Channels 15 and 16.
Blackmagic Camera Setup for Mac and Windows.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 60W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
15 ‑ 22 W.
Blackmagic Focus Demand
Blackmagic Zoom Demand
ATEM Mini switchers
ATEM Television Studio HD and HD Pro switchers
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Camera 4K Plus G2
Blackmagic Studio Camera Sun Shade
Tripod Mount compatible with 15mm lightweight rails
Turret Dust Cap
External 12V DC power supply with locking connector and international socket adapters for most countries.
1 Year Limited Manufacturer’s Warranty.
With 10G Ethernet on Blackmagic Studio Converter and Blackmagic Studio Camera Pro, you can connect all camera signals using one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't even need a power source near the camera!
R22,750
2
2
1
1.5G, 3G, 6G, 12G.
Mono
2 channel analog Program audio in supported via 9‑pin connector.
1 x 6.35 mm headphone jack.
Return 1 with 2 channels of Program audio embedded in 1.5G/3G/6G/12G-SDI.
4 talkback channels on 13, 14, 15 and 16.
Return 2 with 2 channels of audio embedded in 1.5G/3G/6G/12G-SDI.
2 channels of Program audio embedded in 1.5G/3G/6G/12G-SDI.
4 talkback channels on 13, 14, 15 and 16.
1 x BNC In, 1 x BNC Out.
1 x BNC In, 1 x BNC Out.
Tri-Sync or Black Burst.
SDI channels 13 and 14 for Engineering talkback.
SDI channels 15 and 16 for Production talkback.
RJ-45 Talkback connector for analog external talkback systems.
2.2 inch LCD
1 x 10Gb/s PoE RJ‑45 Camera connector for SMPTE Fibre style workflow over Cat 6A network cable.
1 x 1Gb/s for external control and software updates.
1 x USB-C.
1080p23.98, 1080p24, 1080p25, 1080p29.97,
1080p30, 1080p50, 1080p59.94, 1080p60,
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97,
2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.
Television standard sample rate of 48kHz and 24‑bit.
4:2:2
10-bit
REC 709, REC 2020.
SDI switches between HD, 3G-SDI, 6G-SDI and 12G-SDI.
7 buttons with spin knob control and 2.2 inch color display for device control and menu settings.
RJ-45 1Gb/s Ethernet.
Camera Utility for firmware update.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
100 - 240V AC input.
1 x Internal 100 - 240V AC 50/60Hz.
40 W max plus camera power usage.
Blackmagic Universal Rack Shelf
Blackmagic Studio Camera 6K Pro
Blackmagic Studio Camera 4K Pro G2
Blackmagic Studio Camera 4K Pro
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Converter
1 Year Limited Manufacturer’s Warranty.
Blackmagic Micro Studio Camera 4K G2 is an amazing, broadcast quality live production camera in a tiny body. The Four Thirds sensor has 13 stops of dynamic range, incredible low light performance and produces stunning Ultra HD images in all lighting conditions. 12G-SDI Micro BNC connectors support 10-bit uncompressed video up to 2160p60 and 2 channel audio on the output. The input supports tally, camera control, control of the built-in color corrector plus lens control, from an ATEM switcher. Or when using an ATEM Mini switcher, the HDMI connector will output 1080 and support all control features. Plus it's even a Hollywood quality cinema camera because it can record Blackmagic RAW to external USB-C drives. With multiple mounting points, place Blackmagic Micro Studio Camera 4K G2 where no other camera will go!
R25,800
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
1 x 1/4 inch (top),
3 x 1/4 inch (bottom).
1 x 12G‑SDI Micro BNC
1 x 12G‑SDI Micro BNC
3G, 6G, 12G
1
1 x HDMI Type A output.
HDMI output is always HD, up to 1080p60.
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
Program SDI Input on camera.
2 channels of program audio embedded in 3G/6G/12G-SDI.
2 channels 48 kHz and 24‑bit.
Remote camera control over SDI, HDMI or USB Ethernet with suitable adapter.
1 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port.
Integrated stereo microphone.
None
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.
Television standard sample rate of 48 kHz and 24‑bit.
1 x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
1 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
5 control buttons including Set, Up, Down, Menu, and Power.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB.
DaVinci YRGB
1 x front facing for talent.
Blackmagic Camera Setup for Mac and Windows.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 36W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
18 ‑ 25 W.
Blackmagic Focus Demand
Blackmagic Zoom Demand
ATEM Mini switchers
ATEM SDI switchers
ATEM Television Studio switchers
ATEM Constellation switchers
Blackmagic Video Assist
LP-E6 Battery
Micro BNC Cables
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Micro Studio Camera 4K G2
Turret dust cap
External 12V DC power supply with locking connector and international socket adapters for most countries.
Welcome wallet with QR code for software download
1 Year Limited Manufacturer’s Warranty.
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
R108,750
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
DaVinci YRGB.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS‑II cards
1 x high speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 213 MB/s
Blackmagic RAW Q5 - 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
H.265 SDI - 12.3 MB/s
H.265 High - 10.8 MB/s
H.265 Medium - 7.8 MB/s
H.265 Low - 3.2 MB/s
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
H.264 SDI - 7.0 MB/s
H.264 High - 5.6 MB/s
H.264 Medium - 3.2 MB/s
H.264 Low - 1.8 MB/s
Blackmagic RAW 3:1 - 19 MB/s
Blackmagic RAW 5:1 - 12 MB/s
Blackmagic RAW 8:1 - 7.8 MB/s
Blackmagic RAW 12:1 - 5.2 MB/s
Blackmagic RAW Q0 - 23 to 47 MB/s
Blackmagic RAW Q1 - 16 to 37 MB/s
Blackmagic RAW Q3 - 10 to 27 MB/s
Blackmagic RAW Q5 - 6 to 16 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.
Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.
Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.
Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.
Proxies Only or Originals and Proxies.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.
1 x 4-pin XLR port for external mains power supply or battery use.
1 x 12-pin Molex connector under rear battery plate.
+12V 4-pin XLR regulated output on side of camera
+12V D-Tap regulated output on VLock battery plate
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
Blackmagic URSA Viewfinder
Blackmagic URSA Studio Viewfinder
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
Blackmagic URSA Mini Pro PL Mount
Blackmagic URSA Mini Pro F Mount
Blackmagic URSA Mini Mic Mount
Blackmagic URSA Mini Recorder
Blackmagic URSA Gold Battery Plate
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic URSA Broadcast G2
4K B4 lens mount installed
B4 turret dust cap
EF Mount with dust cap
VLock Battery Plate installed
URSA 12V 100W power supply
URSA Mini Shoulder Pad
URSA Mini top handle & rubber stopper
Viewfinder mounting plate
2 x 1/4 inch baseplate screws
2 x long 1/4 inch top handle screws
2 x short 1/4 inch top handle screws
8 x EF Mount screws
4 x VLock plate spare screws
Welcome wallet with QR code for camera software download
DaVinci Resolve Studio wallet
DaVinci Resolve Studio activation key
1 Year Limited Manufacturer’s Warranty.
The Blackmagic Camera Fiber Converter lets you extend and power your URSA Broadcast from up to 2 km away using industry standard SMPTE fiber cables. It also includes common live camera controls with multiple channels of talkback and standard television industry talkback headset connections. The Blackmagic Camera Fiber Converter features 1 Ultra HD camera feed, plus 3 HD return feeds in a compact IP video based design.
R77,200
1x SMPTE Hybrid Fiber Optic
with SMPTE 304 connector (Male).
1x 12G SDI for Camera feed.
1x 3G SDI for Camera return
feed, 3x 3G SDI for Return SDI Outputs.
2x 5-pin XLR for headset with three way
audio mixer per output, 1x Tracker output.
2x 3-pin XLR Inputs for AES,
Line or Mic input. Phantom Power available.
1x USB-C connector.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p60
SMPTE 259M, SMPTE 292M, 296M,
372M, 424M Level B, 425M.
Television standard sample rate of 48Khz, 24 bit A/D conversion.
4:2:2
10-bit
REC 709, REC 2020.
SDI switches between HD,
3G-SDI, 6G-SDI and 12G‑SDI.
Camera Utility for firmware update.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non‑condensing
Blackmagic Camera Fiber Converter
Mounting Bracket and screws for attaching to URSA Mini and URSA Broadcast cameras
3x Short 12G SDI cables for SDI In and Out connectiong to URSA Mini and URSA Broadcast
Welcome wallet with QR code for software download
1 Year Limited Manufacturer’s Warranty.
Work with remote cameras up to 2 km away from your studio or outside broadcast truck using SMPTE fiber. The Blackmagic Studio Fiber Converter converts SDI video, audio, and remote camera control connections into a single optical fiber cable, which connects to a Blackmagic Camera Fiber Converter attached to a remote camera. All video and data are transmitted using standard IP for extremely low latency broadcast quality video. You get 12G-SDI for an HD or Ultra HD camera feed and 3 independent HD return feeds, along with standard connections for camera control, PTZ, two dual channel talkback intercoms, tracker talkback, tally and a 5 inch LCD screen for monitoring camera and return feeds. The Blackmagic Studio Fiber Converter also provides power for your remote cameras and accessories.
R79,100
1x SMPTE Hybrid Fiber Optic
with Female SMPTE 304 connector.
3x 12G SDI Return feeds with Program,
Camera Control, Tally, Genlock and Intercom on Return 1.
2x 12G SDI for Ultra HD up to 60p.
SDI Channels 15 and 16 for Production,
Analogue in and out supported via 25-pin connector for Production and Engineering talkback support.
4x camera analogue audio outputs.
1x Optical I/O via 10 Gb-E
(not currently active).
1x USB-C.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 259M, SMPTE 292M, 296M,
372M, 424M Level B, 425M.
Television standard sample
rate of 48Khz, 24 bit A/D conversion.
4:2:2
10-bit
REC 709, REC 2020.
SDI switches between HD,
3G-SDI, 6G-SDI and 12G-SDI.
Camera Utility for firmware update.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
100 - 240V AC input.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Studio Fiber Converter
Welcome wallet with QR code for software download
1 Year Limited Manufacturer’s Warranty.
The ATEM Camera Control Panel provides independent controls for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel. You get iris control, shutter speed, white balance, master gain, pedestal, RGB controls for white and black, and more.
R74,800
2 x 10/100/1000 BaseT with loop
output for additional control panels or computers.
1 x USB-C for firmware updates.
4
Green off air, red on air.
White and black balance setup.
4
4
Auto Iris On, Coarse control.
Protects settings.
ATEM Software Control Panel.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x Internal 100 - 240V AC.
12-30V 3A.
Yes
30W
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
Up to 95%
ATEM Camera Control Panel
1 Year Limited Manufacturer’s Warranty.
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